Taku's Blog

  On October 9th, I attended Chris Brown’s Breezy Bowl XX concert. It was an incredible experience both as a fan and as a filmmaker. Beyond the energy of the crowd and the powerful performances, what stood out to me most was the level of technological sophistication happening behind the scenes, especially in terms of videography. From the moment the show began, the screens came alive with visuals such as planets moving through space, bursts of fire, waves of energy, and abstract graphics that danced in rhythm with the music. These visuals were not just decoration. They were a part of the performance itself, carefully choreographed to enhance the mood and storytelling of each song. What fascinated me most was the seamless integration of live footage with pre-recorded visuals. Cameras captured Chris Brown from multiple angles, including close-ups, wide shots, and aerial perspectives, all edited and displayed in real-time. At times, these live shots were layered with effects that mat...

  This week, I’ve been reflecting on the concept of industries such as Hollywood, Bollywood, and Nollywood in particular, and how they shape the global business of filmmaking. Each of these industries carries a distinct identity, culture, and system of operation, yet they all share one thing in common: influence. Hollywood, for instance, has long stood as the benchmark for global cinema. It built its empire through storytelling, distribution networks, and an unmatched ability to market both films and the culture surrounding them. Hollywood didn’t just create movies; it created dreams and turned those dreams into business models that continue to shape how the rest of the world makes films. Bollywood, on the other hand, thrives on scale and emotion. It produces hundreds of films every year, blending music, drama, and color into an art form that connects deeply with audiences both in India and across the diaspora. What’s fascinating is how Bollywood films are not only cultural export...